"From working on Gemini Man, Mile 22 & Netflix's Narcos to becoming an award-winning cinematographer — a story of vision, risk, and craft."
Since 2004, I have lensed narrative features, documentaries, television series, music videos, and live productions across continents, always chasing a visual language that feels alive, unexpected, and emotionally true.
My first feature, Bangkok's Fear (2015), which I directed and photographed in Thailand, was praised for its cinematography at the Creative International Film Festival. On Guillotine, I recreated five time periods — 1700s France, wartime Iraq, post-war Germany, Algeria, and more — all shot in Los Angeles using three aspect ratios and both spherical and anamorphic lenses.
I have stood face-to-face with former sicarios filming Killing Escobar for BBC London, and spent months across Europe shooting high-stakes investigations for Drug Lords on Netflix and National Geographic. My work as Camera Operator on Narcos and as AC on Gemini Man, Mile 22, Jack Ryan, and Cemetery of Splendour (Cannes/Sundance) placed me alongside directors like Ang Lee, Peter Berg, and Apichatpong Weerasethakul, and actors including Will Smith, John Malkovich, Wagner Moura, and John Krasinski.
In 2024, I was honored to win Best Cinematography at the New Filmmakers Los Angeles Film Festival. My work continues to screen at festivals worldwide — from BFI London to Seoul Guro, Glasgow, BIFF, and beyond.
Beyond narrative and documentary work, I bring deep expertise in Broadcast & Live Production. I operate as a Broadcast Technician / Vision Mixer for live events, concerts, corporate productions, and broadcast programming — cutting multi-camera shows in real time with precision and calm. I am fluent in VSM, BUFF broadcast control systems, and Leightronix automation software.
I believe pre-production is 60% of the work. I design cinematography from the ground up — building look books, crafting lighting strategies, and writing detailed shot lists that lock a director's vision into focus before a single frame rolls. In post, I cut, bringing the same precision to the edit that I bring to the lens.
With over two decades behind the camera and a passport stamped across four continents, I bring not just technical mastery, but lived experience, adaptability, and creative fire. I am always seeking bold collaborations — feature films, documentary hybrids, high-end commercials, and live broadcast productions. Let's create something unforgettable.
Los Angeles, USA — Worldwide available.
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